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An adaptation of L. Noel Langley , Florence Ryerson , and Edgar Allan Woolf received credit for the screenplay, but others made uncredited contributions. Characterized by its use of Technicolor , fantasy storytelling, musical score, and memorable characters, The Wizard of Oz was moderately successful upon its original release of August 25, The television broadcast premiere of the film on the CBS network reintroduced the film to the public; according to the U.

Library of Congress , it is the most seen film in movie history. The Wizard of Oz has become the source of many quotes referenced in contemporary popular culture. The film ranks often on critics\’ lists of greatest films of all time , and is the most commercially successful adaptation of L. Frank Baum\’s work. When Dorothy\’s dog Toto bites the wealthy Almira Gulch, Miss Gulch obtains a sheriff\’s order authorizing her to seize the dog to be euthanized.

Toto escapes and returns to Dorothy, who runs away to protect her dog. Professor Marvel, a charlatan fortune teller, tells her to go home because Aunt Em is heartbroken. Dorothy returns just as a tornado approaches the farm. Unable to get into the locked storm shelter , Dorothy takes cover in the farmhouse and is knocked out by a shattered window.

The tornado lifts the house and drops it on an unknown land. Dorothy awakens and is greeted by short people known as Munchkins, and a \”good\” witch named Glinda, who explains Dorothy is in Munchkinland in the land of Oz. The Munchkins are celebrating because the house landed on the Wicked Witch of the East. Her sister, the Wicked Witch of the West, appears in a puff of smoke. Before she can seize her deceased sister\’s ruby slippers, Glinda magically transports them onto Dorothy\’s feet and tells her to keep them on, as they must be very powerful.

Because the Wicked Witch has no power in Munchkinland, she leaves in another puff of smoke, but only after telling Dorothy, \”I\’ll get you, my pretty, and your little dog too! Dorothy is directed to follow a yellow brick road that goes to the Emerald City, the Wizard\’s home. Along the way, she meets the Scarecrow, who wants a brain; the Tin Man, who desires a heart; and the Cowardly Lion, who lacks courage.

The foursome and Toto eventually reach the Emerald City, despite the best efforts of the Wicked Witch. Dorothy is initially denied an audience with the Wizard by his doorman. The doorman, however, relents and the four are led into the Wizard\’s chambers. The Wizard appears as a giant ghostly head and tells them he will grant their wishes if they bring him the Wicked Witch\’s broomstick.

During their quest, Dorothy is captured by flying monkeys and taken to the Wicked Witch, but the ruby slippers protect her. They are cornered by the Witch, who sets fire to the Scarecrow. When Dorothy throws a bucket of water onto the Scarecrow, she inadvertently splashes the Witch, which causes her to melt away. The Witch\’s guards gratefully give Dorothy her broomstick. The four return to the Wizard, but he tells them to return tomorrow.

When Toto pulls back a curtain, the Wizard is revealed to be just an ordinary man, operating machinery that projects the ghostly image of his face. The four travelers confront him, upon which he confesses that he, like Dorothy, accidentally arrived in Oz from America. He then \”grants\” the wishes of Dorothy\’s three friends by giving them tokens that symbolize that they always had the qualities they sought.

The Wizard offers to take Dorothy back to Kansas with him aboard his hot air balloon. However, after Toto jumps off and Dorothy goes after him, the balloon accidentally lifts off with just the Wizard aboard. Glinda reappears and tells Dorothy she always had the power to return to Kansas with the help of the ruby slippers, but had to find that out for herself. After sharing a tearful farewell with her friends, Dorothy heeds Glinda\’s instructions by tapping her heels three times and repeating the words, \”There\’s no place like home.

She awakens in her bed with a washcloth on her injured head and is attended to by her aunt, uncle and the farm hands. Professor Marvel stops by as Dorothy describes Oz, telling the farm hands and the Professor they were there too. The actors who portrayed Marvel and the farmhands also played the characters in Oz. Unfazed by their disbelief, Dorothy gratefully exclaims, \”There\’s no place like home! Production on the film began when Walt Disney \’s Snow White and the Seven Dwarfs showed that films adapted from popular children\’s stories and fairytale folklore could still be successful.

Goldwyn had toyed with the idea of making the film as a vehicle for Eddie Cantor , who was under contract to Samuel Goldwyn Productions and whom Goldwyn wanted to cast as the Scarecrow. The script went through several writers and revisions before the final shooting. Cannon , had submitted a brief four-page outline. In his outline, the Scarecrow was a man so stupid that the only employment open to him was literally scaring crows from cornfields.

Also in his outline, the Tin Woodman was a criminal so heartless that he was sentenced to be placed in a tin suit for eternity. This torture softened him into somebody gentler and kinder. Afterward, LeRoy hired screenwriter Herman J.

Mankiewicz , who soon delivered a page draft of the Kansas scenes. A few weeks later, Mankiewicz delivered a further 56 pages. None of these three knew about the others, and this was not an uncommon procedure. Nash delivered a four-page outline; Langley turned in a page treatment and a full film script. Langley then turned in three more scripts, this time incorporating the songs written by Harold Arlen and Yip Harburg. Florence Ryerson and Edgar Allan Woolf submitted a script and were brought on board to touch up the writing.

They were asked to ensure that the story stayed true to Baum\’s book. However, producer Arthur Freed was unhappy with their work and reassigned it to Langley. Jack Haley and Bert Lahr are also known to have written some of their dialogue for the Kansas sequence. They completed the final draft of the script on October 8, , following numerous rewrites. So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains, and the nerve, because he was the final script editor.

And he — there was eleven screenwriters on that — and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn\’t get credit for that. He gets lyrics by E. Harburg, you see. But nevertheless, he put his influence on the thing. The original producers thought that a audience was too sophisticated to accept Oz as a straight-ahead fantasy; therefore, it was reconceived as a lengthy, elaborate dream sequence.

Because they perceived a need to attract a youthful audience by appealing to modern fads and styles, the score had featured a song called \”The Jitterbug\”, and the script had featured a scene with a series of musical contests. A spoiled, selfish princess in Oz had outlawed all forms of music except classical music and operetta. The princess challenged Dorothy to a singing contest, in which Dorothy\’s swing style enchanted listeners and won the grand prize.

This part was initially written for Betty Jaynes , [22] but was later dropped. Another scene, which was removed before final script approval and never filmed, was an epilogue scene in Kansas after Dorothy\’s return. Hunk the Kansan counterpart to the Scarecrow is leaving for an agricultural college, and extracts a promise from Dorothy to write to him.

The scene implies that romance will eventually develop between the two, which also may have been intended as an explanation for Dorothy\’s partiality for the Scarecrow over her other two companions. This plot idea was never totally dropped, but is especially noticeable in the final script when Dorothy, just before she is to leave Oz, tells the Scarecrow, \”I think I\’ll miss you most of all.

Much attention was given to the use of color in the production, with the MGM production crew favoring some hues over others. It took the studio\’s art department almost a week to settle on the shade of yellow used for the Yellow Brick Road. Several actresses were reportedly considered for the part of Dorothy, including Shirley Temple from 20th Century Fox , at the time, the most prominent child star; Deanna Durbin , a relative newcomer, with a recognised operatic voice; and Judy Garland , the most experienced of the three.

Officially, the decision to cast Garland was attributed to contractual issues. Now unhappy with his role as the Tin Man reportedly claiming, \”I\’m not a tin performer; I\’m fluid\” , Bolger convinced producer Mervyn LeRoy to recast him in the part he so desired. Fields was originally chosen for the title role of the Wizard after Ed Wynn turned it down, considering the part \”too small\” , but the studio ran out of patience after protracted haggling over Fields\’ fee.

Wallace Beery lobbied for the role, but the studio refused to spare him during the long shooting schedule. Instead, another contract player, Frank Morgan , was cast on September Veteran vaudeville performer Pat Walshe was best known for his performance as various monkeys in many theater productions and circus shows.

An extensive talent search produced over a hundred little people to play Munchkins; this meant that most of the film\’s Oz sequences would have to already be shot before work on the Munchkinland sequence could begin. Meinhardt Raabe , who played the coroner, revealed in the documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrian , had to design over costumes for the Munchkin sequences.

They photographed and cataloged each Munchkin in their costume so they could consistently apply the same costume and makeup each day of production. Gale Sondergaard was originally cast as the Wicked Witch of the West, but withdrew from the role when the witch\’s persona shifted from sly and glamorous thought to emulate the Evil Queen in Disney\’s Snow White and the Seven Dwarfs to the familiar \”ugly hag\”.

Sondergaard said in an interview for a bonus feature on the DVD that she had no regrets about turning down the part. Sondergaard would go on to play a glamorous feline villainess in Fox \’s version of Maurice Maeterlinck \’s The Blue Bird in According to Aljean Harmetz, the \”gone-to-seed\” coat worn by Morgan as the Wizard was selected from a rack of coats purchased from a second-hand shop.

According to legend, Morgan later discovered a label in the coat indicating it had once belonged to Baum, that Baum\’s widow confirmed this, and that the coat was eventually presented to her. But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a rumor concocted by the studio.

Thorpe initially shot about two weeks of footage, nine days in total, involving Dorothy\’s first encounter with the Scarecrow, and a number of sequences in the Wicked Witch\’s castle, such as Dorothy\’s rescue, which, though unreleased, includes the only footage of Buddy Ebsen \’s Tin Man. The production faced the challenge of creating the Tin Man\’s costume. Several tests were done to find the right makeup and clothes for Ebsen. He was hospitalized in critical condition and was subsequently forced to leave the project.

In a later interview included on the DVD release of The Wizard of Oz , he recalled that the studio heads appreciated the seriousness of his illness only after he was hospitalized. Filming halted while a replacement for him was sought. No footage of Ebsen as the Tin Man has ever been released — only photos taken during filming and makeup tests.

 

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